Title
Subtext
Kate Clements (American, born 1989)
Stain, 2016
Kiln fired glass and monofilament
90 x 96 x 1/4 inches
Cafesjian Art Trust Museum, 2025.049.1
This music fits the sculpture because the story of the art is about corruption—how one thing can change your entire perspective. “Handlebars” also has a similar story behind it. It’s about how when you grow up, the innocence of childhood fades.
In the song, the beginning is innocent and kidlike. It boasts, “I can ride my bike with no handlebars." In the middle, the speaker went from personal experiences to public influences—showing how charisma and media allow someone to sway in thoughts and actions.
“I can make my living off a magazine, I can lead a nation with a microphone.”
The final verse reveals the dark side of human capacity. “I can guide a missile by satellite. I can make a man go to prison because I don’t like him.”
—Ava Herzog
I chose the instrumental song “On the Nature of Daylight” by Max Richter to pair with the artwork. The overall mood of this song is heavy and sad and full of grief, but it also has a sense of beauty and hope mixed into it. Because there are no lyrics, the instruments have to do all the talking. The song uses a slow-moving type of violins, a viola, and cellos. It repeats the same chords over and over again, building up something that feels like a heavy weight pressing down on you. This slow tempo perfectly fits Stain.
—Abdi Jama
I chose this song because of the story behind the artwork. I feel like it’s a heavy piece that should have a rainy day, slow-vibe kind of song. I really love the guitar and his voice with this piece and how it feels very slow and quiet. This song came into my head immediately with how delicate the piece is and the red representing blood the piece feels like it needs to have a quieter, slower song. “Clements explores the qualities shared by glass and the human body. Like glass, the body has resilience and strength, but it can also be destroyed with a single violent act.” I think the piece being made of glass is also representing how fragile a life can be, but the flowers also show the beauty of it. The piece is made up of 43 separate pieces of glass. I think that could represent that there are so many different pieces of life.
—Sophia Sellwood
My reason for choosing FKA twigs’ “Cellophane” (specifically the live version at the Valentino show) is rooted in the striking similarities I see between the emotional atmosphere of the song and the visual language of the artwork. Both feel devastatingly feminine, dark, pristine, and incredibly fragile, almost as though they could shatter with the slightest touch. The artwork is composed of delicate, intricate pieces that come together to form what resembles a flower bleeding from the inside out. At first glance, its composition feels beautiful and almost ethereal, but the closer you look, the more you begin to notice something darker beneath its surface. There is a contrast between its delicate appearance and the sense of pain, destruction, and vulnerability that it seems to hold. That contradiction was one of the first things that drew me to the piece and ultimately influenced my song selection.
FKA twigs’ “Cellophane” carries that same contradiction. It is a beautiful yet gut-wrenching emotional ballad that explores vulnerability, insecurity, the pressure of being exposed, and the emotional deterioration of a relationship under the weight of public scrutiny. The fragility in Twigs’ vocals, paired with the rawness of her delivery, makes the song feel almost translucent, as though we are witnessing someone slowly unravel in real time. I found myself drawn to the way the song captures the experience of being emotionally exposed while desperately trying to hold yourself together. To me, this reflects the artwork’s composition in a deeply meaningful way: something that appears delicate and beautiful on the outside while carrying an immense amount of pain beneath the surface.
Both pieces communicate a kind of beauty that exists alongside suffering, where fragility is not a weakness but an essential part of what makes something so moving. I chose Twigs' song because I believe it captures the same haunting feeling as the artwork.
—Daniel Martinez